20 February 2021

A luminous mystery


 Transfiguration (1516 - 20) by Raphael

Jesus took with him Peter and James and John and led them up a high mountain where they could be alone by themselves. There in their presence he was transfigured: his clothes became dazzlingly white, whiter than any earthy bleacher could make them. 

Mark 9:2 - 3

One of the ‘Luminous Mysteries’ appended to the Rosary of our parents and grandparents by the late Pope St John Paul II was the Transfiguration of the Lord. The disciples Peter, James and John are witness to the appearance of Elijah and Moses together with a transfigured Jesus. The image that often attends this experience is that painted by Raphael between 1516 and 1520. This high altar piece now hangs in Pinacoteca Vaticana of the Vatican Museum. I was privileged to view it and meditate on its beauty and composition when I visited Rome.

Yet as rich as Raphael’s expression is, it cannot contain the depth and breadth of what the disciples saw and felt, of the early Church and of our experience of the divine in our own lives, although his attempt is nothing short of majestic.

The Transfiguration, then, is not just a retelling of an event, it is the event. It incorporates the story of Israel’s salvation, the messiahship and mission of Jesus, and reveals the transformation that awaits us within the kingdom (the here and now) but which also anticipates our own exaltation at the end of time.

The Transfiguration reveals a part of the inner mystery of Jesus and part of our potential as human beings seeking divinity. Here is Jesus, alongside Moses, the redeemer of the Hebrews from their slavery in Egypt, with Elijah, the great prophet who worked miracles, who ascended into heaven in a whirlwind and who would return to announce the coming of the Messiah.

The early Church was in need of this affirmation and doubtlessly co-constructed this pericope to advance their understanding of their place in this extraordinary story.

As such the Transfiguration is my story too. It is about my journey. It is about raising my consciousness and awareness of the presence of Jesus in my life and his capacity to transform me into a vehicle for his Good News. It is also your story should you choose to engage in and invest yourself in it. It needs to be retold in your own life, as a story of hope, as fulfilment of a promise.

Raphael’s Transfiguration is most worthy to meditate upon, pray with it as part of your Rosary devotion, but most of all – live it out in hope.

 

Peter Douglas

 


LENT REFLECTION by Anne Chisholm

Blessings may break from stone


Every week through Lent, a writer will reflect on a time of pain and challenge, and what good – if any – came of it. Anne Chisholm begins the series.

Bittersweet fruit of the womb

IN 1975, I inherited my younger sister’s son, Jesse. He was five years old. In 2002 I inherited her granddaughter, Tabitha. She was one. And so, as a consequence of two agonising premature deaths (my sister was 30 when she died; her son was 31) I found myself, despite, as it turned out, being unable to bear my own child, able to become a mother and then a grandmother: to find, in stepping into my sister Clare’s shoes, two of the determining, demanding and most joyful relationships of my life. Through death I had been given some of the greatest happiness I have known.

I have often, over the years, contemplated this paradox, this bittersweet gift. I have even wondered if it might, deep down, be a source of guilt, as if benefiting in any way from my sister’s death should feel wrong. But guilty though I often feel about all kinds of things, I do not and never have felt guilty about this. When I think of Clare, and what she lost and I gained, I feel first deeply sad for her and then a surge of gratitude towards her.

Over the years, people have occasionally asked me if it was a difficult decision to take on Jesse, whether taking on such responsibility was hard. The answer has always been no; it was never difficult, because it felt inevitable and profoundly right. This, surely has always been what families do, have always done, if they can, at all times and in all cultures; someone steps into the gap and tries to look after the motherless or fatherless child. Of course such arrangements, as legends and fairy tales tell, do not always work out well. In my case, though much happiness followed, there was also recurring pain. No child, no matter how well loved and looked after, survives the loss of a parent without damage.

Looking back, I can discern some of the particular reasons why Jesse brought me so much happiness. I had always been more involved with him than most aunts; while I was in a settled relationship with the man I was soon to marry, my sister’s life was complicated and Jesse’s father had disappeared from their lives when he was two.

As a successful model – she was a great beauty – she often travelled at short notice, and we had been a second home for Jesse from when he was a few months old. I was besotted with him from the start, and given that by the time Clare died I had been trying and failing to have a baby myself, I remember very well telling myself to be careful not to love him or need him too much, to remember that he was not mine, that I had to give him back, stand back. And then Clare became ill, and during the eight months it took her to die he spent much of the time with us.

And then I did not have to stand back any more. There was a fearful symmetry at work: a child who needed a mother, and a woman who needed a child. Four days after her death, it was Christmas. We went to church, and the lines, “Unto us a son is given”, made us both cry.

The fact was that Jesse, a loving, golden, happy child, gave us as much as we gave him. He was always a charmer, easy to love. He grew up just as handsome as his mother had been beautiful, and, like her, was drawn into the modelling world at the age of eighteen. The glamour, the travel, the money were seductive, and dangerous. There were drugs, a girlfriend with a cocaine habit, temptations he found impossible to resist. He moved into the music business, ran a nightclub, produced a record or two. We swallowed hard and hoped for the best. He was always cheerful and affectionate with us but I suspected he was in trouble. I was afraid.

Then, in his late twenties, he met Alison. Before long they were living together and in 2000 they had a daughter, Tabitha. Later, Alison told me that after Tabitha was born, Jesse promised to stop the cocaine, and for a while he did; but then he slipped back, and she told him he had to leave. There was a spell in rehab; it seemed to do the trick. He went home, went regularly to AA meetings and found a new job working as a sound man for the BBC. By Tabitha’s first birthday, in November 2001, his life was back on track. Tabitha had already became my granddaughter even more simply and naturally than her father had become my son. She was adorable. I felt very lucky.

Early on a frosty January morning the phone rang. Two days before, I had put Jesse on a train back to London after we had been to a family funeral in the country together. He was fine, happy at home and at work and feeling better, he told me, than for a long time. We made plans to meet soon with Tabitha and hugged goodbye. But that morning he had left home early in a colleague’s car to film an interview for a BBC documentary. On a corner somewhere in Lincolnshire in the dank winter mist, their car hit a truck. The driver colleague was unhurt; Jesse died.

From that dark day on, after the shock that for a while left me barely able to walk or eat or sleep, I knew what I had to do. Again, it was not a duty but a compulsion; everything in me was drawn towards Alison and Tabitha and finding ways to look after them. Again, the seed of my own recovery was the existence of a small child who needed me, who like her father was full of sweetness and energy, who was also too young to begin to understand what she had lost until much later. Her uncomplicated love felt like another gift.

Again, I was lucky: there was an insurance settlement, and help with housing from family friends meant that Alison was able to go on living near me in London. She and I became closer, and looked after each other. In due course Tabitha went to good schools, where she shone. As beautiful as her father, she was more academically inclined, so that suggestions of modelling were not followed up, to my unconcealed relief. Instead, she was so good at gymnastics that she took up circus skills and has since been invited to train with the Team GB winter sports squad as a potential international competitor. She has also started studying Psychology and Neuroscience at Cardiff University. She is now twenty; I am eighty. She is the light of my life.

Although the consolation of a specific religious faith has played no part in this story, as I have little or none, my cultural framework is Christian. I have always understood and often needed, especially in times of trouble, the emotional power and beauty of Christian language and imagery.

At such times, I read a lot of George Herbert and John Donne. Not long after my sister died I found myself at a friend’s house in Tuscany, looking at the fifteenth- and sixteenth-century paintings I loved with new eyes. Not all were soothing; my eyes were drawn less to gentle Madonnas holding plump infants than to the terrors of the Massacre of the Innocents, the limp, small bodies chiming with my fears for Jesse’s safety and of my own inadequacies.

Then one night I had a dream, in which my lovely sister, as beautiful as ever, returned to tell me, very clearly and strongly, that I was not to be so worried and fearful. “I’m all right,” she said, “and everything is going to be all right.” My own version, perhaps, of Dame Julian of Norwich: All shall be well and all manner of things shall be well. I had never been given to significant dreams: this one was almost too good to be true. Rationally, I knew it to be wishful thinking, not hard to explain away, but the dream gave me strength then, and has never left me.

Anne Chisholm has written biographies of Rumer Godden, Nancy Cunard, Lord Beaverbrook and Frances Partridge, and has edited the letters of Dora Carrington.

 

From The Tablet, 20 February 2021

 

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